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Sonnets of Edna St. Vincent Millay

The Harp-Weaver

XII

What's this of death, from you who never will die?

Think you the wrist that fashioned you in clay,

The thumb that set the hollow just that way

In your full throat and lidded the long eye

So roundly from the forehead, will let die

Broken, forgotten, under foot some day

Your unimpeachable body, and so slay

The work he most had been remembered by?

I tell you this: whatever of dust to dust

Goes down, whatever of ashes may return

To its essential self in its own season,

Loveliness such as yours will not be lost,

But, cast in bronze upon his very urn,

Make known him Master, and for what good reason.

 

XIII

I see so clearly now my similar years

Repeat each other, shod in rusty black,

Like one hack following another hack

In meaningless procession, dry of tears,

Driven empty, lest the noses sharp as shears

Of gutter-urchins at a hearse's back

Should sniff a man died friendless, and attack

With silly scorn his deaf triumphant ears;

I see so clearly how my life must run

One year behind another year until

At length these bones that leap into the sun

Are lowered into the gravel, and lie still,

I would at times the funeral were done

And I abandoned on the ultimate hill.

 

XIV

Your face like a chamber where a king

Dies of his wounds, untended and alone,

Stifling with courteous gesture the crude moan

That speaks too loud of mortal perishing,

Rising on elbow in the dark to sing

Some rhyme now out of season but well known

In days when banners in his face were blown

And every woman had a rose to fling.

I know that through your eyes which look on me

Who stand regarding you with pitiful breath,

You see beyond the moment's pause, you see

The sunny sky, the skimming bird beneath,

And, fronting on your windows hopelessly,

Black in the noon, the broad estates of Death.

 

IV

I know I am but summer to your heart,

And not the full four seasons of the year;

And you must welcome from another part

Such noble moods as are not mine, my dear.

No gracious weight of golden fruits to sell

Have I, nor any wise and wintry thing;

And I have loved you all too long and well

To carry still the high sweet breast of Spring.

Wherefore I say: O love, as summer goes,

I must be gone, steal forth with silent drums,

That you may hail anew the bird and rose

When I come back to you, as summer comes.

Else will you seek, at some not distant time,

Even your summer in another clime.

 

XV

The light comes back with Columbine; she brings

A touch of this, a little touch of that,

Coloured confetti, and a favor hat,

Patches, and powder, dolls that work by strings

And moons that work by switches, all the things

That please a sick man's fancy, and a flat

Spry convalescent kiss, and a small pat

Upon the pillow, — paper offerings.

The light goes out with her; the shadows sprawl.

Where she has left her fragrance like a shawl

I lie alone and pluck the counterpane,

Or on a dizzy elbow rise and hark —

And down like dominoes along the dark

Her little silly laughter spills again!

 

XVI

Lord Archer, Death, whom sent you in your stead?

What faltering prentice fumbled at your bow,

That now should wander with the insanguine dead

In whom forever the bright blood must flow?

Or is it rather that impairing Time

Renders yourself so random, or so dim?

Or are you sick of shadows and would climb

A while to light, a while detaining him?

For know, this was no mortal youth, to be

To be of you confounded, but a heavenly guest,

Assuming earthly garb for love of me,

And hell's demure attire for love of jest:

Bring me asphodel and a dark feather,

He will return, and we shall laugh together!

 

XVII

Loving you less than life, a little less

Than bitter-sweet upon a broken wall

Or brush-wood smoke in autumn, I confess

I cannot swear I love you not at all.

For there is that about you in this light —

A yellow darkness, sinister of rain —

Which sturdily recalls my stubborn sight

To dwell on you, and dwell on you again.

And I made aware of many a week

I shall consume, remembering in what way

Your brown hair grows about your brow and cheek,

And what divine absurdities you say:

Till all the world, and I, and surely you,

Will know I love you, whether or not I do.

 

XVIII

I, being born a woman and distressed

By all the needs and notions of my kind,

Am urged by your propinquity to find

Your person fair, and feel a certain zest

To bear your body's weight upon my breast:

So subtly is the fume of life designed,

To clarify the pulse and cloud the mind,

And leave me once again undone, possessed.

Think not for this, however, the poor treason

Of my stout blood against my staggering brain,

I shall remember you with love, or season

My scorn with pity, — let me make it plain:

I find this frenzy insufficient reason

For conversation when we meet again.

 

XIX

What lips my lips have kissed, and where, and why,

I have forgotten, and what arms have lain

Under my head till morning; but the rain

Is full of ghosts tonight, that tap and sigh

Upon the glass and listen for reply,

And in my heart there stirs a quiet pain

For unremembered lads that not again

Will turn to me at midnight with a cry.

Thus in the winter stands the lonely tree,

Nor knows what birds have vanished one by one,

Yet knows its bows more silent than before:

I cannot say what loves have come and gone,

I only know that summer sang in me

A little while, that in me sings no more.

 

XX

Still will I harvest beauty where it grows:

In coloured fungus and the spotted fog

Surprised on foods forgotten; in ditch and bog

Filmed brilliant with irregular rainbows

Of rust and oil, where half a city throws

Its empty tins; and in some spongy log

Whence headlong leaps the oozy emerald frog. . . .

And a black pupil in the green scum shows.

Her the inhabiter of diverse places

Surmising at all doors, I push them all.

Oh, you that fearful of a creaking hinge

Turn back forevermore with craven faces,

I tell you Beauty bears an ultra fringe

Unguessed of you upon her gossamer shawl!

 

XXI

How healthily their feet upon the floor

Strike down! These are no spirits, but a band

Of children, surely, leaping hand in hand

Into the air in groups of three and four,

Wearing their silken rags as if they wore

Leaves only and light grasses, or a strand

Of black elusive seaweed oozing sand,

And running hard as if along a shore.

I know how lost forever, and at length

How still these lovely tossing limbs shall lie,

And the bright laughter and the panting breath;

And yet, before such beauty and such strength,

Once more, as always when the dance is high,

I am rebuked that I believe in death.

 

XXII

Euclid alone has looked on Beauty bare.

Let all who prate of Beauty hold their peace,

And lay them prone upon the earth and cease

To ponder on themselves, the while they stare

At nothing, intricately drawn nowhere

In shapes of shifting lineage; let geese

Gabble and hiss, but heroes seek release

From dusty bondage into luminous air.

O blinding hour, O holy, terrible day,

When first the shaft into his vision shone

Of light anatomized! Euclid alone

Has looked on Beauty bare. Fortunate they

Who, though once only and then but far away,

Have heard her massive sandal set on stone.

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