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Sonnets of Edna St. Vincent Millay

From Second April

I

We talk of taxes, and I call you friend;

Well, such you are, — but well enough we know

How thick about us root, how rankly grow

Those subtle weeds no man has need to tend,

That flourish through neglect, and soon must send

Perfume too sweet upon us and overthrow

Our steady senses; how such matters go

We are aware, and how such matters end.

Yet shall be told no meagre passion here;

With lovers such as we forevermore

Isolde drinks the draught, and Guinevere

Receives the Table's ruin through her door,

Francesca, with the loud surf at her ear,

Lets fall the coloured book upon the floor.

 

II

Into the golden vessel of great song

Let us pour all our passion; breast to breast

Let other lovers lie, in love and rest;

Not we, — articulate, so, but with the tongue

Of all the world: the churning blood, the long

Shuddering quiet, the desperate hot palms pressed

Sharply together upon the escaping guest,

The common soul, unguarded, and grown strong.

Longing alone is singer to the lute;

Let still on nettles in the open sigh

The minstrel, that in slumber is as mute

As any man, and love be far and high,

That else forsakes the topmost branch, a fruit

Found on the ground by every passer-by.

 

III

Not with libations, but with shouts and laughter

We drenched the altars of Love's sacred grove,

Shaking to earth green fruits, impatient after

The launching of the coloured moths of Love.

Love's proper myrtle and his mother's zone

We bound about our irreligious brows,

And fettered him with garlands of our own,

And spread a banquet in his frugal house.

Not yet the god has spoken; but I fear

Though we should break our bodies in his flame,

And pour our blood upon his altar, here

Henceforward is a grove without a name,

A pasture to the shaggy goats of Pan,

Whence flee forever a woman and a man.

 

IV

Only until this cigarette is ended,

A little moment at the end of all,

While on the floor the quiet ashes fall,

And in the firelight to a lance extended,

Bizarrely with the jazzing music blended,

The broken shadow dances on the wall,

I will permit my memory to recall

The vision of you, by all my dreams attended.

And then adieu, — farewell! — the dream is done.

Yours is a face of which I can forget

The colour and the features, every one,

The words not ever, and the smiles not yet;

But in your day this moment is the sun

Upon a hill, after the sun has set.

 

V

Like wind from an oasis, or the sound

Of cold sweet water bubbling underground,

A treacherous messenger, the thought of you

Comes to destroy me; once more I renew

Firm faith in your abundance, whom I found

Long since to be just one other mound

Of sand, whereon no green thing ever grew.

And once again, and wiser in no wise,

I chase your coloured phantom on the air,

And sob and curse and fall and weep and rise

And stumble pitifully on to where,

Miserable and lost, with stinging eyes,

Once more I clasp, — and there is nothing there.

 

VI

No rose that in a garden ever grew,

In Homer's or in Omar's or in mine,

Though buried under centuries of fine

Dead dust of roses, shut from sun and dew

Forever, and forever lost from view,

But must again in fragrance rich as wine

The gray aisles of the air incarnadine

When the old summers surge into a new.

Thus when I swear, "I love with all my heart,"

'Tis with the heart of Lilith that I swear,

'Tis with the love of Lesbia and Lucrece;

And thus as well my love must lose some part

Of what it is, had Helen been less fair,

Or perished young, or stayed at home in Greece.

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