HMR Project: History of Music & Modern Recording

The Boogie Woogie of Will Bradley

Birth of Swing Jazz: Will Bradley

Will Bradley

Source: Last FM

 

Born Wilbur Schwictenberg on 12 July 1912 in Newton, New Jersey, jazz trombonist, Will Bradley, traded NJ for New York in 1928, there to work in bands like Milt Shaw's Detroiters. Bradley first appeared on records in 1931, his debut session with Bob Haring on May 15: 'Building a Home for You' (Banner 32189). Tom Lord's discography, however, qualifies that with "possibly".

 

'Building a Home for You'

Will Bradley (trombone) w Bob Haring & His Orchestra

Recorded 15 May 1931 in NYC   Matrix 10624-3   Banner 32189

Suggested personnel:

Trumpet Bunny Berigan   Alto sax: Andy Sannella   Vocal: Willian Robyn

Composition: Joseph Santly / Joe Bennett / Gus Kahn

 

On October 2 of 1931 Bradley laid tracks with Red Nichols: 'Get Cannibal' and 'Junk Man Blues' on Brunswick 6219. November 2 found him backing Connie Boswell on 'Time on My Hands' and 'Concentratin'' (Brunswick 6210), he to finish the year with Nichols on 22 December with Artie Shaw in the band at clarinet and alto sax. He and Shaw would get mixed a few more times in the thirties with the Boswell Sisters, then Bill Challis. Bradley later supported Shaw's orchestra in 1950, 1953 and 1955.

 

'Time on My Hands'   Will Bradley (trombone) backing Connie Boswell

Recorded 2 Nov 1931 in NYC   Matrix E-37333-A   Brunswick 6210

Suggested personnel:

Trumpet: Manny Klein   Clarinet / alto sax: Jimmy Dorsey

Piano: Martha Boswell   Violin: Joe Venuti

Guitar: Eddie Lang   Bass: Joe Tarto   Drums: Chauncey Morehouse

Composition: Joseph Santly / Joe Bennett / Gus Kahn

 

Bradley began 1932 with Bing Crosby on 'Shine' (Brunswick 6276). Other big names with whom Bradley recorded included Ray Noble in 1935 and 1936 and the Boswell Sisters in 1935. He contributed to the Jack Shilkret Orchestra in 1936. First recording with Benny Goodman's operation in 1937, he worked with Goodman often to as late as 1963. He backed Ella Fitzgerald for the first time in 1938, again in 1947.

 

'Shine'

Bing Crosby w the Mills Brothers

Recorded 29 Feb 1932 in NYC   Matrix 11376-A   Brunswick 6276

Suggested personnel:

Trombone: Will Bradley or Charlie Butterfield

Alto sax: Les Dreyer / Benny Kreuger   Tenor sax: Max Farley

Piano: Joe Meresco   Guitar: Eddie Lang

Tuba: Hank Stern   Drums: Larry Gomar or Chauncey Morehouse

Composition: Cecil Mack / Ford Thompson Dabney / Louis Brownstein

 

Bradley is thought to have changed his name from Schwictenberg when he began to lead his own orchestra in 1939 with drummer / vocalist Ray McKinley in the band. His initial titles as a leader were recorded September 19: 'Forever More' (Vocalion 5237), 'Love Nest' (Columbia 35354), 'Memphis Blues' (Vocalion 5130) and 'Old Doc Yak' (Vocalion 5130). Sessions followed in October and consistently beyond. Bradley's band would become well-known for boogie woogie via which he filled a timely role as a bridge between swing jazz and later rock n roll. Five of his releases reached the Top Ten (my convention) on Billboard's pop charts in 1940 and 1941 [Music VF]:

   Beat Me Daddy (Eight to the Bar)   Sep 1940   #2
   Scrub Me, Mama, with a Boogie Beat   Sep 1940   #2
   Down the Road a Piece   Dec 1940   #10
   There I Go   Dec 1940   #5
   High on a Windy Hill   Feb 1941   #9

 

'Scramble Two'   Will Bradley & His Orchestra

Recorded 16 April 1940 in NYC   Matrix 26733-A   Columbia 35732

Suggested personnel:

Trumpet: Steve Lipkins / Joe Wiedman / Al Mitchell

Trombone: Will Bradley / Bill Corti / Jim Emert

Alto sax: Joe Huffman / Art Mendelsohn

Clarinet / tenor sax: Peanuts Hucko

Tenor sax / baritone sax: Sam Sachelle

Piano: Freddie Slack   Guitar: Steve Jordan

Bass: Doc Goldberg   Drums / vocal: Ray McKinley

Composition: Charlie Dixon

 

'Beat me Daddy, Eight to the Bar'   Will Bradley & His Orchestra

Recorded 21 May 1940 in NYC   1 of 2 takes

Piano: Freddie Slack   Drums / vocal: Ray McKinley

Composition: Don Raye / Ray McKinley / Hughie Prince

 

'Rock-A-Bye The Boogie'   Will Bradley & His Orchestra

Recorded 16 July 1940 in NYC   Matrix 28021   Columbia 35732

Drums / vocal: Ray McKinley

Composition: Hughie Prince / Don Raye / Freddie Slack

 

'Down the Road a Piece'   Will Bradley and his Trio

Recorded 16 July 1940 in NYC   Matrix 27872-1   Columbia 35707

Piano: Freddie Slack   Bass: Doc Goldberg

Drums / vocal: Ray McKinley   Vocal: Will Bradley

Composition: Don Raye

 

'Scrub Me Mama with a Boogie Beat'   Will Bradley and His Orchestra

Recorded 18 Sep 1940 in NYC   Matrix 28654-1   Columbia 35743

Piano: Freddie Slack   Bass: Doc Goldberg

Drums / vocal: Ray McKinley

Composition: Don Raye

 

'Chicken Gumboogie'   Will Bradley and His Orchestra

Recorded 6 Jan 1941 in NYC   Matrix 29413-1   Columbia 35939

Piano: Freddie Slack   Bass: Doc Goldberg

Drums / vocal: Ray McKinley

Composition: Joan Whitney

 

'Boardwalk Boogie'   Will Bradley and His Orchestra   Short Film

Sometime 1941

Drums: Ray McKinley

Composition: ?

 

Bradley joined the military in 1942 and spent time as a member of Glenn Miller's Army Air Force Band. World War II also made it difficult to keep an orchestra together. Once while playing in Detroit Bradley lost six musicians all at once to the draft.

Bradley got mixed with trumpeter, Billy Butterfield, numerously from 1943 to 1955, again in 1959 and 1960. He backed Mildred Bailey continuously from 1944 into 1945, once again in 1955. Tom Lord has him recording with tenor saxophonist, Jerry Jerome, for the first time in February of 1945 in the band of Yank Lawson. He then joined Jerome's All American Band a few times in 1947. Bradley can be found on a few recordings with Tommy Dorsey from 1945 into 1950. He first got mixed with trumpeter, Neal Hefti, in 1946 with the Metronome All Stars, later supporting Hefti's band from 1951 to 1954. He sat in Ralph Flanagan's orchestra severally from 1949 to 1957, also backing Sarah Vaughan on several occasions from 1949 into 1952.

 

'Lady Be Good'

Yank Lawson and His Orchestra featuring Will Bradley (trombone)

12 Feb 1945 in NYC   Matrix VP1191

V-Disc 217-A (Navy)   437-A (Army)   Brunswick BL58050

Trumpet: Yank Lawson / Billy Butterfield / Nat Natoli / Bill Graham / John Owens

Trombone: Vernon Brown / Billy Rauch / Buddy Morrow as Moe Zudecoff

Clarinet: Bill Stegmeyer

Sax: Ray Eckstrand / Paul Ricci / Bill Stegmeyer / Jerry Jerome / John Pepper

Piano: Frank Signorelli   Guitar: Carl Kress

Bass: Bob Haggart   Drums: Johnny Blowers

Composition: George & Ira Gershwin

 

Bradley's drummer, McKinley, formed a new configuration of the Glenn Miller ghost band in 1956. Hiring Bradley to help fill it, that orchestra operated for a decade to 1966. Bradley was also a member of the Tonight Show Band during its Carson era. He died on 15 July 1989 in Flemington, New Jersey.

 

Sources & References for Will Bradley:

arwuf arwulf (All Music)

VF History (notes)

Wikipedia

Scott Yanow (Syncopated Times)

Audio: YouTube   YouTube

Compositions: Music Brainz   Second Hand Songs

Recordings: Discographies: 45 Worlds   Discogs   RYM

Recordings: Compilations:

The Best of Will Bradley with Ray McKinley: Eight to the Bar (1939-41)

Rock-A-Bye the Boogie with the Will Bradley - Ray McKinley Orchestra (1940-41):

All Music   Discogs

Recordings: Sessionographies:

DAHR (1935-55)

Tom Lord: leading 56 of 286 sessions 1931-68

Brian Rust (The American Dance Band Discography 1917-1942 / University of Michigan 1975)

Brian Rust & Malcom Shaw (Jazz and Ragtime Records 1897-1942 / Mainspring Press 2002)

Further Reading: Archives:

Radio and Television Mirror (1941)

Authority Search: VIAF

Other Profiles:

ejazzlines

Leonard Feather / Ira Gitler (The Biographical Encyclopedia of Jazz / 1999)

 

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