

Lloyd Glenn
Source: Jazz Verbatim
Born on 21 November 1909 in San Antonio, Texas, pianist, Lloyd Glenn, began his professional career performing with jazz bands in the San Antonio and Dallas regions. He was with the Don Albert Orchestra when he made his first recordings on November 18 of 1936, contributing piano to such as 'The Sheik of Araby' and 'Liza'. He wouldn't record again for another decade.
'Deep Blue Melody' Lloyd Glenn (piano) w Don Albert and His Orchestra
18 Nov 1936 in San Antonio Matrix SA2524-2 Vocalion 3423
Trumpet: Billy Douglas / Alvin Alcorn / Hiram Harding
Trombone: James Robinson / Frank Jacquet
Reeds (clarinet / sax): Gus Patterson / Harold "Dink" Taylor / Herb Hall / Louis Cottrell
Guitar: Ferdinand Dejan Bass: James Johnson Drums: Albert Martin
Composition: Glenn
'Tomorrow' Lloyd Glenn (piano) w Don Albert and His Orchestra
18 Nov 1936 in San Antonio Matrix SA2527-1 Vocalion 3491
Trumpet: Billy Douglas / Alvin Alcorn / Hiram Harding
Trombone: James Robinson / Frank Jacquet
Reeds (clarinet / sax): Gus Patterson / Harold "Dink" Taylor / Herb Hall / Louis Cottrell
Guitar: Ferdinand Dejan Bass: James Johnson Drums: Albert Martin
Vocal: Merle Turner
Composition: Glenn
Lloyd left Texas for Los Angeles in 1941, there to hook up with the Walter Johnson Trio in 1944, also becoming employed as a session musician. In 1945 Glenn joined Red Mack and His All Stars for such as 'The Joint Is Jumpin' and 'T'ain't Me'. Working with T-Bone Walker would have been a major highlight in any musician's career, which occurred in December of 1946 for Glenn, he backing Walker as one of the Al Killian Quintet in Hollywood for takes of 'Stormy Monday', 'She Had to Let Me Down', et al. Glenn would see Walker again in latter 1947, 1957 and 1967-68, their last occasion for Walker's 'Funky Town' in Los Angeles.
'I Know Your Wig Is Gone' Lloyd Glenn (piano) w T-Bone Walker (guitar / vocal)
13 Sep 1947 in Hollywood Matrix BW635-3 Black and White 122
Trumpet: Teddy Buckner Tenor sax: Bumps Myers
Bass: Arthur Edwards Drums: Lee Bradley
Composition: Walker / Ruth George
'Call It Stormy Monday' Lloyd Glenn (piano) w T-Bone Walker (guitar / vocal)
13 Sep 1947 in Hollywood Matrix BW637-3 Black and White 122
Trumpet: Teddy Buckner Tenor sax: Bumps Myers
Bass: Arthur Edwards Drums: Lee Bradley
Composition: Walker
Come December of 1947 for Glenn's first name session with his Joymakers toward such as 'Joymakers Boogie' and 'Advice to a Fool'. On 26 October 1951 he filled his Combo with Lowell Fulson and Mitchell "Tiny" Webb at guitars with Earl Burton on bongos for 'Tickle Toe Two Step'. Fulson and Glenn would reunite about three decades later in Los Angeles for titles that went unissued by Chess like 'Good Time Back Home' and 'Little Eva'.
'Joymaker's Boogie' aka 'Soldier's Hop' Lloyd Glenn (piano) w His Joymakers
Sometime Dec 1947 in Los Angeles Matrix IM41 Imperial 5031
Trumpet: Jake Porter Alto sax: Marshal Royal Tenor sax: Gene Porter
Guitar: Gene Phillips Bass: Arthur Edwards Drums: Bill Streets
Composition: Glenn
'Midnight Boogie' aka 'Rockin' Boogie' Lloyd Glenn (piano) w His Joymakers
26 or 27 Dec 1947 in Los Angeles Matrix IM70 Imperial 5037
Trumpet: Jake Porter Alto sax: Marshal Royal Tenor sax: Gene Porter
Guitar: Gene Phillips Bass: Arthur Edwards Drums: Bill Streets
'Blues Hangover' Lloyd Glenn (piano) w the Lloyd Glenn Trio
9 Nov 1950 in Los Angeles Swing Time 234
Bass: Billy Hadnott Drums: Bill Streets
Composition: Glenn
'Jungle Town Jubilee' Lloyd Glenn (piano) w the Lloyd Glenn Trio
9 Nov 1950 in Los Angeles Swing Time 254
Bass: Billy Hadnott Drums: Bill Streets Bongos: Earl Burton
Composition: Glenn
'Chica Boo' Lloyd Glenn (piano) w the Lloyd Glenn Trio
9 Nov 1950 in Los Angeles Swing Time 254 #1 on Billboard's R&B 19'51
Bass: Billy Hadnott Drums: Bill Streets Bongos: Earl Burton
Composition: Glenn
Glenn took residence in the band of another major figure in 1949, that being trombonist, Kid Ory, joining him for dates such as an AFRS radio broadcast of 'Kid Ory' yielding the likes of 'Wang Wang Blues' and 'Tuxedo Junction'. Glenn would see numerous sessions with Ory's Creole Jazz Band to July 17 of 1953 for titles that would eventually find issue on Ory's 'The Kid's Greatest!' in 1962.
'Ory's Boogie' Lloyd Glenn (piano) w Kid Ory's Creole Jazz Band
5 May 1951 in Pamona CA Matrix LK230 Good Time Jazz 48
Trumpet: Teddy Buckner Trombone: Ory Clarinet: Joe Darensbourg
Bass: Morty Corb Drums: Minoe Hall
Composition: Ory
'Boogie Woogie on St Louis Blues' Lloyd Glenn (piano) w the Lloyd Glenn Trio
C Dec 1952 in Los Angeles Matrix LK230 SwingTime 311
Bass: Winston Williams Drums: Earl Hyde
Composition: W.C. Handy
'Ballroom Shuffle' Lloyd Glenn (piano) w the Lloyd Glenn Trio
20 June 1956 in Los Angeles Matrix MR2692 Aladdin 3327
Bass: Billy Hadnott Drums: Bob Harvey
Composition: Glenn
'Southbound Special' Lloyd Glenn (piano) w the Lloyd Glenn Trio
20 June 1956 in Los Angeles Matrix MR2694 Aladdin 3327
Bass: Billy Hadnott Drums: Bob Harvey
Composition: Glenn
'Blue Ivories' Lloyd Glenn (piano) w the Lloyd Glenn Trio
20 June 1956 in Los Angeles Matrix MR2695 Aladdin 3337
Bass: Billy Hadnott Drums: Bob Harvey
Composition: Glenn
Another big name with whom Glenn had occasion to work was B.B. King. In 1960 he contributed to King's album, 'My Kind of Blues' with Ralph Hamilton at bass and Jessie Sailes on drums.
'You Done Lost Your Good Thing Now' Lloyd Glenn (piano) w B.B. King (guitar / vocal)
1960 See the King album 'My Kind of Blues' on Crown Records 5188
Bass: Ralph Hamilton Drums: Jessie Sailes
Composition: King / Joe Josea
Glenn spent the next couple decades doing session work and playing Los Angeles clubs. Sometime in 1977 he contributed piano to Big Joe Turner's 'The Things That I Used to Do' and 'I'm Gonna Sit Right Down and Write Myself a Letter' for Spivey Records in dedication to Victoria Spivey. That same year he toured with Clarence Gatemouth Brown to Europe where they recorded the album, 'Heat Wave', on 15 July 1977 in Nice, France.
'Pinetop's Boogie Woogie' Lloyd Glenn (piano) w the Lloyd Glenn Trio
14 May 1974 in Paris Matrix 74-166
See the album 'Old Time Shuffle' on Black & Blue 33077 / 1976
Bass: Roland Lobligeois Drums: Panama Francis
Composition: Pinetop Smith
'After Hours' Lloyd Glenn (piano) w the Lloyd Glenn Trio
Live in France sometime 1977
Bass: Milt Hinton
Composition: Avery Parrish 1940
'Heat Wave' Lloyd Glenn (piano)
15 July 1977 in Nice, France Matrix 77-230
See the album 'Heat Wave' on Black & Blue 33129 / 1977
Guitar: Clarence Brown Bass: Milt Hinton Drums: J.C. Heard
Composition: Glenn
Tom Lord's Jazzography traces Glenn's final album to 1 February 1982 when he documented 'Blue Ivories'. His last known recording was with guitarist, Evans Walker, in October of 1982, backing him on Baby Please'.
'Baby Please' Lloyd Glenn (piano) backing Evans Walker (guitar / vocal)
Glenn's last-known recording
Oct 1982 in Los Angeles
See the album 'Pick Your Choice' on Shoe Label SL-1001 / 1983
Lloyd died of heart attack on May 3, 1985, in Los Angeles.
Compositions by Glenn:
Angora 1952
Conga Rhumba 1951
Cute-Tee 1951
First Take and Blue 1977
Heat Wave 1977
It Moves Me
1952
Jungle Jubilee 1951
Levee Blues 1949
Lover Call 1977
Low
Society 1950
Old Time Shuffle 1974 Billboard R&B #3
Slow Train #1 1977
Slow Train
Through Paris 1977
Still My Love Is Your
Wild Fire 1954
Sources & References for Lloyd Glenn:
VF History (notes) Wikipedia
Audio of Lloyd Glenn:
Internet Archive YouTubeBillboard Popularity Charts: Music VF
Compositions: Music Brainz Music VF Second Hand Songs
Recordings: Catalogs: 45 Cat 45 Worlds Discogs RYM
Recordings: Compilations:
Chronological Classics 1947 - 1950
Chronological Classics 1951 - 1952
Recordings: Sessions:
DAHR (1947-55)
Tom Lord Jazzography: leading 31 of 66 sessions 1936-82
Further Reading:
John T. Tennison (Lloyd Glenn and the San Antonio Blues and Boogie Woogie Tradition / updated 2015)
Other Profiles: This Is My Story
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